“We face neither East nor West; we face forward”*…
To the Western mind, “African Electronics,” the theme of this year’s annual Chale Wote street art festival in Ghana’s capital, might conjure up images of social media revolutions, telecommunications giants, farmers using smartphones, or other “tech solutions” to development. Not for artist Serge Attukwei Clottey.
Serge, like most artists participating at Chale Wote, views African Electronics as a call for African empowerment, and celebration of the innovation and energy which has been flowing through the continent for centuries. This was ever present throughout a festival that saw examples of both traditional and contemporary art forms: from colorful wall murals to performance art, interactive installations to stand alone sculptures, traditional drummers to electronic music DJs…
More at “‘African Electronics’ Takes a Spiritual Approach to Individual Power.” (Serge Attukwei Clottey will exhibit his performance installation, The Displaced, at Feuer Mesler gallery in Manhattan in October 2015.)
* Kwame Nkrumah
As we agree with Jaron Lanier that “You Are Not A Gadget,” we might recall that it was on this date in 1888 that Granville Tailer Woods– the first African-American electrical engineer working n the U.S. after the Civil War, whose many inventions (and 50 patents) earned him the moniker “the Black Edison”– patented the Multiplex Telegraph, a device that sent messages between train stations and moving trains, thus assuring a safer, better public transportation system.