“Trying to plan for the future without knowing the past is like trying to plant cut flowers”*…
It’s happening by hook (violence) and by crook (economic development)…
Palmyra, an ancient oasis city and one-time capital of a short-lived empire, has been razed before. In the third century, Roman emperor Aurelian punished its rebelling citizens by looting its treasures and burning its buildings. The city never recovered; its broken, but well preserved remains have stood in the Syrian desert ever since. Now looms the very real possibility of Islamic State (IS) finishing-off the job Aurelian began by reducing the historic site to rubble. Earlier this year, IS declared the three thousand-year-old palace at Nimrud, Iraq, a symbol of polytheism and demolished it with bulldozers and explosives. In the past days, Islamic State’s advance into Syria has brought Palmyra’s splendid ruins under its control. Its ancient temples, already damaged by fighting, risk suffering Nimrud’s fate.
Conflict has often threatened antiquities, and violent threats to cultural sites often draw the public eye. Today however, development and resource extraction are far more common perils. Among UNESCO’s list of more than a thousand World Heritage Sites (places considered as of special cultural or physical significance), 46—Palmyra included—are categorized as ‘in danger’. Housing, mining, logging, and agriculture are responsible for putting more than half of the sites on the threat list.
Via The Economist, where one will find an interactive version of this chart: mouse over a site to learn the details of both the treasure and the threat to it.
* Daniel Boorstin (quoted by his son, David)
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As we promise to preserve, we might recall that it was on this date in 1415 that Infante Dom Henrique de Avis, Duke of Viseu, better known as Henry the Navigator, embarked on an expedition to Africa. Having encouraged his father his father, King John I, to conquer a North African port, Henry went to assess the continent’s prospects for himself. Impressed, he became the champion of Portuguese exploration and expansion, sponsoring the systematic mapping of West Africa, the development of new ships, and the continual search for new trade routes.

Portrait believed to be the true likeness of Henry the Navigator. Detail from the fifth panel of the polyptych of St. Vincent by Nuno Gonçalves, c.1470