“I’m completely in favor of the separation of Church and State… These two institutions screw us up enough on their own, so both of them together is certain death”*…
The Redeemed Christian Church of God’s international headquarters in Ogun state has been transformed from a mere megachurch to an entire neighbourhood, with departments anticipating its members’ every practical as well as spiritual need.
A 25-megawatt power plant with gas piped in from the Nigerian capital serves the 5,000 private homes on site, 500 of them built by the church’s construction company. New housing estates are springing up every few months where thick palm forests grew just a few years ago. Education is provided, from creche to university level. The Redemption Camp health centre has an emergency unit and a maternity ward.
On Holiness Avenue, a branch of Tantaliser’s fast food chain does a brisk trade. There is an on-site post office, a supermarket, a dozen banks, furniture makers and mechanics’ workshops. An aerodrome and a polytechnic are in the works.
And in case the children get bored, there is a funfair with a ferris wheel…
In Nigeria, the line between church and city is rapidly vanishing: “Eat, pray, live: the Lagos megachurches building their very own cities.”
* George Carlin
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As we re-read Max Weber, we might recall that it was on this date in 1545 that Renaissance writer, physician, humanist, monk, and Greek scholar François Rabelais received the permission of King François I to publish the Gargantua series– Gargantua and Pantagruel as we know it. In fact, Rabelais’ wild mix of fantasy, satire, the grotesque, bawdy jokes, and songs had been circulating pseudonymously for years. The censors of the Collège de la Sorbonne stigmatized it as obscene; and in a social climate of increasing religious oppression in a lead up to the French Wars of Religion, it had been treated with suspicion.
Rabelais wrote at a time of great ferment in the French language, and contributed mightily to it– both in coinage and in usage. But his influence was even broader (Tristram Shandy, e.g., is full of quotes from Rabelais) and continues to this day via writers including Milan Kundera, Robertson Davies, and Kenzaburō Ōe.
