Posts Tagged ‘Venice’
A pair of scholarly siblings compared 52 artists’ renditions of “The Last Supper,” and found that the size of the meal painted had grown through the years. Over the last millennium they found that entrees had increased by 70%, bread by 23%, and plate size by 65.6%. Their findings were published in the International Journal of Obesity.
The apostles depicted during the Middle Ages appear to be the ascetics they are said to have been. But by 1498, when Leonardo da Vinci completed his masterpiece, the party was more lavishly fed. Almost a century later, the Mannerist painter Jacobo Tintoretto piled the food on the apostles’ plates still higher.
As we think twice about “super-sizing that,” we might recall that it was on this date in 1309 that Pope Clement V (best remembered perhaps for suppressing the Knights Templar, executing many of its members, and thus, securing the career of Dan Brown) excommunicated the City of Venice– all of it, every last resident. Indeed, he decreed that Venetian citizens captured abroad could be sold into slavery “like non-Christians.” He was a pawn of French King Philip IV; still…
source: Dark Roasted Blend
On the heels of a weekend of frankfurter-fortified patriotism here in the U.S., the good folks at Dark Roasted Blend have published a momento mori– “Flags of Forgotten Countries“…
Consider the beauty above– the standard of one of the superpowers of its time, The Most Serene Republic of Venice. A version of this pennant waved for most of the thousand years– from the late seventh century to 1797– that Venice stood sovereign… a period that ended with the city-state’s defeat by Napoleon, himself the author of a number of now-redundant flags.
See the whole collection here.
As we think timeless thoughts, we might recall that in the midst of Venetian ascendancy, on this date in 1593, across the boot in Rome, Artemisia Gentileschi was born. Influenced by her father Orazio and his mentor Caravaggio, she was the first female painter to tackle historic and heroic themes that were at the time believed to be “beyond the reach of women,” and to become a member of the Accademia di Arte del Disegno in Florence.