Posts Tagged ‘photography’
Everything looks cooler when you blast it with X-rays. The photography of Roy Livingston makes electromagnetic radiation his muse; in his colorful series, X-Ray Visions, the skins of alarm clocks, toy robots, old Crosley radios, and more bubble away to reveal their candy-colored X-Ray cross-sections.
Based in Louisville, Kentucky, Livingston… didn’t always take such colorful X-ray photographs, but after experimenting with digitally adding color to his work as part of a study called “36 Robots,” “the flood gates opened.” Each of his photos begins on the analogue side by taking an X-ray and developing it. He then scans it into his computer in ultra high-resolution, manually cleaning the image as he goes. After cleaning, he creates hundreds of color variations in Photoshop—”I learned about saving large documents in Photoshop the hard way,” Livingston notes—then, after giving the project a few weeks to simmer, goes back to figure out which color paths he likes best.
When it comes to deciding what to X-ray, Livingston says its all about design. “I’m a big fan of all kinds of industrial design whether it’s new or old,” Livingston tells me. “It’s incredible when you see the thinking, craftsmanship and machining that goes into creating some of these objects. They are works of art by themselves.” If there’s anything he’s trying to get across with his work, Livingston says, “it’s that the simplest things can be beautiful.”…
* Buckminster Fuller (the inspiration for the title of Roman Mars’ wonderful design podcast, 99% Invisible)
As we delight in design, we might recall that it was on this date in 1617 that the first one-way streets were established in London. An Act of Common Council was passed to regulate the “disorder and rude behaviour of Carmen, Draymen and others using Cartes,” specifying seventeen narrow and congested lanes running into Thames Street, including Pudding Lane (where the Great Fire of London began in 1667).
Starting in the 1990s, artist Zoe Leonard began photographing the shops in New York City’s Lower East Side. As the New York Times reported [last week], small neighborhood stores like local bodegas are declining in the city as rents steadily rise and chain stores strong-arm their way in.
Leonard witnessed the start of the decline as mom-and-pop shops — with their hand-lettered signs and strange window displays — started vanishing throughout the decade. She photographed them with something equally obsolete: celluloid film. The artist captured the changing landscape with a vintage 1940’s Rolleiflex camera, using gelatin silver, chromogenic, and dye-transfer printing processes. She didn’t crop the black frame of the negative from the final image, either.
”The embrace of photography as an analog medium is reinforced in the work’s recurrent references to Kodak, photo studios, and graffiti,” the Museum of Modern Art writes. Leonard’s photos from the decade are currently on display at MoMA in the exhibition Zoe Leonard: Analogue, presenting 412 images together in a grid-like installation. “Analogue is a testament to the loss of both locally owned shops and straight photography,” MoMA’s press release states. The show is on display through August 30…
Read and see more (and larger, zoomable) versions of the images at “Remembering the Lost Mom-and-Pop Shops of New York City’s Lower East Side in the ’90s.”
As we ruminate on retailing, we might recall that it was on this date in 1992 that the Mall of America opened in Bloomington, Minnesota, becoming the largest shopping mall both in total area and in total store vendors in the U.S. It receives over 40 million visitors annually (the most of any mall in the world), and generates nearly $2 Billion in economic impact. The Mall has 7,900,000 square feet of space and 11,000 employees (13,000 in Holiday season). Its 12,000+ parking spaces are relatively few given the store and employee count; but as the Mall is on Minneapolis’ light rail system, and many shoppers arrive by shuttle from nearby hotels or the airport, they suffice.
Back in the 18th and 19th century, recreational swimming kickstarted a service industry of aids for decent beach life etiquette. These tools of maintaining dignity were perhaps unsurprisingly mostly aimed at women. Among innovations of this time was the Bathing Machine, or the Bathing Van, which helped bathers change into to their bathing attire right next to the water.
Bathing machines became a thing around all of Great Britain’s empire starting ca. 1750 and spread to the United States, France, Germany and Mexico to serve the greater goal of common decency at beaches…
The passenger enters a horse or human drawn carriage, which is transported some distance out into the water. The van’s human cargo changes into whatever shapeless sack was deemed suitable at the time. The mechanics of it all are unsurprisingly not that glamorous and worth exploring in further detail…
* Isak Dinesen
As we dive in, we might recall that it was on this date in 1871 that the foundation stone was laid for the Tay Railway Bridge to be built across the Firth of Tay on the east Scottish coast. It’s designer, Sir Thomas Bouch, a railway engineer and executive, was knighted for engineering and overseeing the building of the two-mile-long bridge— on which an estimated 75 people died when the bridge collapsed. An enquiry found Bouch to be liable, by virtue of bad design and construction; he died four months after the verdict.
Bouch and his creation are thus also indirectly responsible for the best-known poem, “The Tay Bridge Disaster,” by the gentleman widely-regarded to have been the the worst published poet in British history, William Topaz McGonagall.
“Any eavesdropping alien civilization will know all about our TV programs (probably a bad thing), will hear all our FM music (probably a good thing)*…
The speed of light, at which radio waves propagate into space, is fast– really fast– but it’s not instant. So what a space traveler would hear at ever-greater distances from Earth is an ever-older playlist of radio hits.
Hear them for yourself at Lightyear.fm.
* “FM signals and those of broadcast television…[travel] out to space at the speed of light. Any eavesdropping alien civilization will know all about our TV programs (probably a bad thing), will hear all our FM music (probably a good thing), and know nothing of the politics of AM talk-show hosts (probably a safe thing)…”
-Neil DeGrasse Tyson, Death By Black Hole, p. 172
As we aim for about 50 LY out, we might recall that it was on this date in 1850 that Harvard Observatory director William Cranch Bond and Boston photographer John Adams Whipple took a daguerreotype of Vega– the first photograph of a star ever made.
“The camera is an instrument of detection. We photograph not only what we know, but also what we don’t know”*…
When top chemists and engineers at Harvard and MIT are preparing to reveal new research in the world’s premier journals, they call Felice Frankel. For over two decades, Frankel has had a front-row seat at some of the biggest discoveries emerging from both ends of Cambridge, photographing experiments within the labs that created them.
Read her extraordinary story in “Photographer has front-row seat for big scientific discoveries“; and check out her work– from daisy-colored yeast colonies through rainbow-colored quantum dots to soft. flexible electronics that can be tattooed onto the skin– on her site.
* Lisette Model
As we find focus, we might remark that today is the birthday of not one but two extraordinary mathematicians: Gottfried Wilhelm Leibniz (1646; variants on his date of birth are due to calendar changes), the German philosopher, scientist, mathematician, diplomat, librarian, lawyer, co-inventor, with Newton, of The Calculus, and “hero” (well, one hero) of Neal Stephenson’s Baroque Trilogy… and Alan Turing (1912), British mathematician, computer science pioneer (inventor of the Turing Machine, creator of “the Turing Test” and inspiration for “The Turing Prize”), and cryptographer (leading member of the team that cracked the Enigma code during WWII).
Saubine Haubitz and Stefanie Zoche are intrepid photographers of thought-provoking things. Here, they discuss their series on movie theaters in India…
In three journeys between 2010 and 2013 we have photographed movie theatres from the ‘Thirties to the ‘Seventies in South India. The photos of these buildings give eloquent testimony to the rich cinematic culture of those times. We are particularly interested in the culturally influenced reinterpretation of modern building style apparent in the architectural style, which displays an unusual mixture of Modernism, local architectural elements, a strong use of colour and, in the case of some older cinema halls, of Art Deco…
Many movie theatres in South India are left in their original state. Nonetheless, remodelling into multiplex cinemas is already underway, in particular in major cities, and will result in these buildings’ disappearance as witnesses to their times. The photographs document a part of cinema culture that has already largely vanished in Europe and the USA, and is increasingly being supplanted by commercial interests and technical developments in India, as well.
Take the tour at here.
* Theophilus London
As we lounge in the loge, we might recall that it was on this date in 1915 that Vitagraph released Miss Jekyll and Madame Hyde, a retelling of Stevenson’s famous tale in which Helen Gardner played the lead role(s). Ms Gardner, whose career consisted mostly of portrayals of strong women (Becky Sharp in Vanity Fair, Cleopatra, et al.) was herself a formidable player in the film industry, one of the first actors to form an independent production company (The Helen Gardner Players).
Certain scientific circles of the nineteenth century were home to a rather unexpected preoccupation: the dropping of cats. While at university in Trinity College, Cambridge, James Clerk Maxwell, who would go onto become arguably the greatest theoretical physicist of the nineteenth century, was reportedly well known for the activity. In a letter to his wife reflecting on this reputation he’d earned, Maxwell wrote, “There is a tradition in Trinity that when I was here I discovered a method of throwing a cat so as not to light on its feet, and that I used to throw cats out of windows. I had to explain that the proper object of research was to find how quick the cat would turn round, and that the proper method was to let the cat drop on a table or bed from about two inches, and that even then the cat lights on her feet.” He was not the only prominent scientist to be intrigued by the question of how cats, when falling from a height, seemingly were able to defy the laws of Newtonian physics and change motion in mid air to land on their feet. At around the same time, the eminent mathematician George Stokes was also prone to a spot of “cat-turning”. As his daughter relates in a 1907 memoir: “He was much interested, as also was Prof. Clerk Maxwell about the same time, in cat-turning, a word invented to describe the way in which a cat manages to fall upon her feet if you hold her by the four feet and drop her, back downwards, close to the floor.”
Despite the many falling cats, neither Maxwell nor Stokes made much headway in their investigations. It wasn’t until some decades later, with the invention of chronophotography (which allowed many photographs to be taken in quick succession), that a more rigorous study could be applied beyond the limitations of the human eye. The man to do it was the French scientist and photographer Étienne-Jules Marey who in 1894 created a series of images from which he was able to make some important deductions. The images pictured below, captured at 12 frames per second, debunked the idea that the cat was using the dropper’s hand as a fulcrum in order to begin the motion of turning at the beginning of the fall. Rather, the pictures showed that the cat had no rotational motion at the start of its descent and so was somehow acquiring angular momentum while in free-fall. Marey published these pictures, and his investigations, in an 1894 issue of Comptes Rendus, with a summary of his findings published in the journal Nature in the same year. The latter summarises Marey’s thoughts as follows:
M. Marey thinks that it is the inertia of its own mass that the cat uses to right itself. The torsion couple which produces the action of the muscles of the vertebra acts at first on the forelegs, which have a very small motion of inertia on account of the front feet being foreshortened and pressed against the neck. The hind legs, however, being stretched out and almost perpendicular to the axis of the body, possesses a moment of inertia which opposes motion in the opposite direction to that which the torsion couple tends to produce. In the second phase of the action, the attitude of the feet is reversed, and it is the inertia of the forepart that furnishes a fulcrum for the rotation of the rear.
In a rather humorous turn the author of the article also states that “The expression of offended dignity shown by the cat at the end of the first series indicates a want of interest in scientific investigation.”…
See the series of photos and read the whole account at “Photographs of a Falling Cat (1894)“; and see how the riddle was finally solved, 70 years later, Kane and Scher’s 1969 paper “A dynamical explanation of the falling cat phenomenon” (and in this Wikipedia article).
* Terry Pratchett
As we adjust our attitudes, we might recall that it was on this date in 1993 that the first lab test was released in Arizona confirming a bee involved in a fatal on attack on a small dog at a Tucson home was an Africanized honey bee. Because of their more intense defensive swarming behavior, such non-native bees earned the name “killer bee” in the media.
Arizona was the second state to be invaded, less than three years after this species spread north into Texas from Mexico. Six years later, the bees claimed their first human victim in California: Virgil Foster, an 83-year-old bee-keeper, was mowing his lawn in Los Angeles County when he was stung at least 50 times by the highly-aggressive bees. Foster’s three hives had been taken over by wild Africanized honey bees. Originally hybridized in Brazil in the 1950s in attempt to increase honey production, the killer bees had migrated north through Central America.