A segment from the documentary Tokyo-Ga by Wim Wenders shows the meticulous process by which Japanese wax food samples are made. Molds are made from pieces of real food, and the wax forms produced from the molds are then worked and painted to closely resemble the original items. Another clip posted by YouTube user macdeetube shows a worker forming a wax sample piece of shrimp tempura and a head of cabbage from raw materials.
Posts Tagged ‘humor’
“Our wretched species is so made that those who walk on the well-trodden path always throw stones at those who are showing a new road”*…
Introducing the DestapaBanana from Argentina:
In case the images didn’t give you enough information, I’ll explain the device in a bit more detail. The DestapaBanana bores a hole through the length of your banana and then you pour a sweet filling (like caramel, chocolate, or strawberry sauce) into the reservoir. Once sauced, you can eat the banana right away or you can put it in the freezer and eat it frozen later.
For starters, this device does nothing else and won’t work with bananas that have a lot of curve to them. Additionally, I think a straw would do the same thing if you really are fond of this idea. Or, you could dip the banana in a sauce and not waste part of your banana. And, finally, let’s not forget the most obvious thing here that injecting sauce into a banana transforms it from a health food into a tube of pure sugar…
More at Unclutterter.
As we pierce the peel, we might we might recall that it was on this date in 1955 that the first consumer microwave oven was introduced to the public. n 1947, Raytheon demonstrated the world’s first microwave oven, the “Radarange,: a refrigerator-sized appliance that cost $2-3,000. It found a some applications in commercial food settings and on Navy ships, but no consumer market. Then Raytheon licensed the technology to the Tappan Stove Company, which introduced a wall-mounted version with two cooking speeds (500 and 800 watts), stainless steel exterior, glass shelf, top-browning element and a recipe card drawer. It sold for $1,295 (figure $10,500 today).
Later Litton entered the business and developed the short, wide shape of the microwave that we’re familiar with today. As Wired reports, this opened the market:
Prices began to fall rapidly. Raytheon, which had acquired a company called Amana, introduced the first popular home model in 1967, the countertop Radarange. It cost $495 (about $3,200 today).
Consumer interest in microwave ovens began to grow. About 40,000 units were sold in the United States in 1970. Five years later, that number hit a million.
The addition of electronic controls made microwaves easier to use, and they became a fixture in most kitchens. Roughly 25 percent of U.S. households owned a microwave oven by 1986. Today, almost 90 percent of American households have a microwave oven.
Manchester-based design firm Dorothy commissioned illustrator Tracy Worrall to create “Rock ‘N Roll Zoo.” It’s a collection of prints featuring 77 fantastical animals inspired by song titles. Included are playfully literal depictions of The Doors’ Peace Frog, Meatloaf’s Bat Out of Hell, and other strange beasts rock stars have used as lyrical metaphors… animals are grouped by species, so the Pixies’ “Monkey Gone to Heaven” gets to hang out with the Beastie Boys’ “Brass Monkey,” the Kink’s “Apeman,” and the Goodies’ Funky Gibbon; while the various pigs of rock–the Beatles’ “Piggies,” Black Sabbath’s “War Pigs,” and Pink Floyd’s “Pigs on the Wing”–are lumped into the same sty…
In addition to the full print, [there are] boxed set collections, including the Indie Kid collection (featuring “Elephant Stone” by The Stone Roses, “Monkey Gone to Heaven” by Pixies and “Beetlebum” by Blur) and [as below] the ’80s collection (featuring “Bat Out of Hell” by Meatloaf, “Eye of the Tiger” by Survivor, and “Hungry Like a Wolf” by Duran Duran)…
Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.
- Diane Ackerman
* George Orwell, Animal Farm
As we walk the dog, we might recall that it was on this date in 1998 that a federal judge in St. Louis ruled that the Fort Zumwalt High School marching band would not be allowed to play Jefferson Airplane’s “White Rabbit” in its ’60s medley. The song had been banned by the high school superintendent on the grounds it promoted drug use…. even as one waxes nostalgic, one notes that “White Rabbit” was the nickname of Owsley Stanley, the Bay Area’s preferred purveyor of LSD.
Whether it’s getting food, a cup of coffee, or making a cash withdrawal, you can get a lot of things without leaving the comfort of your car.
That now includes paying your final respects in a drive-thru window.
A new service has opened in Saginaw, Michigan called “Drive-thru viewing” at Ivan Phillips’ Funeral Home…
More (including a revealing video) at “Drive-thru open coffin viewing now available in US at funeral home.”
* Mark Twain
As we muse on mortuary madness, we might recall that it was on this date in 1934 that Charles Arthur “Pretty Boy” Floyd was killed. A bank robber who was, simultaneously Public Enemy #1 and a folk hero in Depression-era America, Floyd was cornered and shot to death in an Ohio field by lawmen led by legendary FBI agent Melvin Purvis. His body was returned to his native Oklahoma, where his funeral was attended by between 20,000 and 40,000 people, and remains the largest funeral in Oklahoma history.
* Isaac Bashevis Singer
As we concede that context is critical, we might send shocking birthday greetings to a man who exercised free will whether he had it or not: the enfant terrible of French letters, Arthur Rimbaud; he was born on this date in 1854. With his buddy, Symbolist poet Paul Verlaine, Rimbaud was a leader of the Decadent Movement; fueled by absinthe and hashish, he succeeded in shocking a literary establishment that was nonetheless awed by his visionary verse, which influenced modern literature and arts, inspired various musicians, and prefigured Surrealism.
All known literature is written in the language of common sense—except Rimbaud’s
- Paul Valéry
“The first time you see something that you have never seen before, you almost always know right away if you should eat it or run away from it”*…
Readers have surely encountered the wax models of sushi, tempura, et al. that grace the entrances of Japanese restaurants, advertising the dishes available therein. Here, the story of that faux food:
Via Laughing Squid
* Scott Adams
As we say arigatou, we might note that this is the prime night– Saturday night– of National Curry Week (established 17 years ago, in the UK, to celebrate 200 years of Indian restaurants there) and the first night of National Eating In/Out Week. Dinner, anyone?
In the silent film era, these colorized lantern slides were the equivalent of previews or trailers, alerting the audience to the theater’s upcoming schedule. Blank spaces in the slide’s design allowed for a small degree of customization by hand.
Films tended to be short by modern standards, so audiences would watch them in batches, rather than seeing one at a time as we do today. Film scholar Lisa Kernan writes that these magic lantern slides were “projected between features, much like today’s slides of local restaurant advertising and movie trivia quizzes.”
Even at the time the slides were in common use, Kernan writes, some theaters experimented with showing short bits of film to advertise coming attractions. By the 1920s, a company called National Screen Service was making trailers for major studio films using moving footage; by the 1930s, studios began to make their own, much more sophisticated preview trailers.
These lantern images were collected by W. Ward Marsh, a movie critic for theCleveland Plain Dealer from 1919 until his death in 1971. The Cleveland Public Library holds Marsh’s movie memorabilia and has digitized almost 700 examples of these slides…
Read and see more at “The Lantern Slides That Advertised Coming Attractions in the Silent Film Era.”
* ubiquitous line in movie trailers
As we take our seats and silence our phones, we might recall that it was on this date in 1967 that “La Bateau,” a 1953 paper cut by Henri Matisse was hung in New York’s Museum of Modern Art… upside down. It remained on inverted display for 47 days. Genevieve Habert, a stockbroker, noticed the mistake (by comparing the hanging to the photo in the catalogue). As it was a Sunday night and there were no curatorial officials on duty, Habert informed the New York Times, which in turn notified Monroe Wheeler, the Museum’s art director… who had the piece rehung correctly on Monday.
Matisse’s cut-outs are back at MoMA… right-side up, one trusts.
Childhood distorts your memories in strange ways — everything seems bigger, more extensive, more dramatic. Take the seminal comic strip, Calvin and Hobbes, for example. Much of its 1985 – 1995 run lined up with my own childhood; I eagerly waited for the newspaper (yes, comics in the newspaper!) every day from about 1989 on. When I started reading, I was only a year or two older than Calvin himself, thus making the strip eminently relatable in a way that few other pieces of art have ever been for me. (And make no mistake, Calvin and Hobbes is art.)
Of course, it was an exaggerated version of being a kid — in particular the amount of destruction that Calvin heaped on his poor, unwitting parents. My memories tell me that nary a week went by without some incredible amount of damage caused to Calvin’s home. An article and chart published to the ridiculously-named PNIS (Proceedings of the Natural Institute of Science, which claims to be a “part-serious, part-satirical journal publishing science-related articles”) backs up those assumptions, and even puts a dollar figure on it. According to these calculations, Calvin’s destructive tendencies cost his parents approximately $15,955.50 over the course of the strip’s 10 years…
Read more at Nathan Ingraham‘s “Calvin and Hobbes were even more destructive than you think.” (and read the full scientific paper here.)
* Walt Disney
As we find humor in the hyperbole, we might recall that it was on this date in 1916 that Margaret Sanger, her sister, Ethel Byrne, both nurses, and an associate, Fania Mindell opened the Brownsville Clinic in Brooklyn– the first family planning and birth control clinic in the United States. (The first such clinic in the world opened in Amsterdam in 1885.) The police quickly closed the facility; Sanger served 30 days in jail. But she and her colleagues gamely re-opened; and in 1917, Sanger helped organize the National Birth Control League, which would later become the Planned Parenthood Federation of America.