Posts Tagged ‘art’
Artist Etienne Lavie has taken photos of Paris in which advertisements in the background are replaced with classical paintings…
See more of the series– “OMG Who Stole My Ads?”– at Lavie’s site.
[via Laughing Squid]
* George Bernard Shaw
As we appreciate the finer things, we might recall that it was on this date in 1886 that Thomas Eakins, the realist painter, photographer, sculptor, and teacher widely regarded as one of the most important artists in American art history, resigned from the Philadelphia Academy of Art. Eakins, almost obsessively interesting in the precise rendering of the human form, had stirred scandal in the school by employing a nude male model in one of his classes.
Rafael Araujo’s illustrations are bafflingly complex—so complex that you might assume the artist uses a computer to render the exacting angles and three-dimensional illusions. And true, if you were to recreate his intricate mathematical illustrations using software, it probably wouldn’t take you long at all. But the craziest part of all is that Araujo doesn’t use modern technology to create his intricately drawn Calculations series—unless, of course, you count a ruler and protractor.
The Venezuelan artist crafts his illustrations using same skills you and I learned in our 10th grade geometry class. Only instead of stashing those homework assignments deep into the locker of his brain, Araujo uses these concepts to create his da Vinci-esque drawings. In Araujo’s work, butterflies take flight amidst a web of lines and helixes, a shell is born from a conical spiral, and the mathematical complexity of nature begins to make sense…
See more of Araujo’s work at his site, and read more at “Wildly Detailed Drawings That Combine Math and Butterflies.”
* Samuel Beckett
As we root around for our rulers, we might recall that it was on this date in 1497 that Dominican friar and populist agitator Girolamo Savonarola, having convinced the populace of Florence to expel the Medici and recruited the city-state’s youth in a puritanical campaign, presided over “The Bonfire of the Vanities,” the public burning of art works, books, cosmetics, and other items deemed to be vessels of personal aggrandizement. Many art historians, relying on Vasari’s account, believe that Botticelli, a partisan of Savonarola, consigned several of his paintings to the flames and “fell into very great distress.” Others are not so certain. In any case, it seems sure that the fire consumed works by Fra Bartolomeo, Lorenzo di Credi, and many other painters, along with a number of statues and other antiquities.
Here, you will find links from our archives to online collections and exhibits covering a vast array of interests and obsessions: Start with a review of classic art and architecture, and graduate to the study of mundane (and sometimes bizarre) objects elevated to art by their numbers, juxtaposition, or passion of the collector. The MoOM is organized into three sections.
The Museum Campus contains links to brick-and-mortar museums with an interesting online presence. Most of these sites will have multiple exhibits from their collections (or, in the case of the Smithsonian, displays of items not on display in the Washington museum itself).
The Permanent Collection displays links to exhibits of particular interest to design and advertising.
Galleries, Exhibition, and Shows is an eclectic and ever-changing list of interesting links to collections and galleries, most of them hosted on personal web pages. In other words, it’s where all the good stuff is.
Aside from the quarterly list of links, we pull out five collections of particular interest and highlight them. New to the MoOM this fall will be the The Benefactors’ Gallery, in which our Board of Directors will post links to their own and other notable collections.
One thing you won’t find at MoOM are collections of posters or maps. As particular interests of ours, posters and maps have their own departments in the coudal.com archives. Find them and be lost for hours. [Your correspondent was...]
As we rethink the idea of “walls,” we might spare a fevered dream or two for Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marqués de Dalí de Pubol; he died on this date in 1989. Best known by the name with which he signed his artwork, Salvador Dali, he was a prominent Surrealist, whose work was distinguished by his fine draughtsmanship and his obsession with symbolism. Cited as an artistic influence by the likes of Damien Hirst, Noel Fielding, and Jeff Koons, it seems likely that Dali’s gifted self-promotion was similarly an inspiration to Warhol.
The only difference between myself and a madman is that I am not mad.
- Salvador Dali
Justin Bieber, the Internet’s hatchling, has left the nest, preparing to spread his swaggy wings and be fly…
Serious artist Justin Bieber—amid the scurrilous rumors spread by a provincial gutter press, based on their narrow-minded adherence to photographs and words—recently announced his retirement from music, signaling his embarking on a new career in broader, even more obnoxious forms of art.
Of late, Bieber’s more confrontational, avant-garde explorations in being irritating have included: peeing in a mop bucket, challenging the conventional notion of mop buckets not having some kid’s piss in them; spray-painting monkey and penguin graffiti, representing the idea that celebrities are trapped just like zoo animals, and also that Justin Bieber thinks penguins are dope; and haunting a Brazilian brothel dressed as a spooky ghost, a stand-in for the lingering specter of society’s prudishness about prostitution, and the classic Freudian connection between death and banging bitches. It also included not actually retiring from music, his most antagonistic artistic statement yet…
As we reconsider our positions on the High vs. Low debate, we might send nostalgic birthday greetings to A.A. Milne; he was born on this date in 1882. Milne spent the earliest years of his career as a playwright, screenwriter, and the author of a single mystery novel, but is remembered for the two volumes of Winnie-the-Pooh stories he wrote for (and featuring) his son, Christopher Robin. His transitional work, written immediately after the birth of his son, was a book of children’s verse, When We Were Young, famously ornamented by Punch illustrator E. H. Shepard.